Since Jenkins's subtitle - Being the Wintertime Adventures of a Curious Stuffed Buffalo, a Sensitive Plush Stingray, and a Book-Loving Rubber Ball - provides the gist of the story, let's cut to the chase: the snowy explorations of this trio of toys, captured in expansive detail in Zelinsky's illustrations and Jenkins's wonderfully understated wit, brim with the magic of discovery, the joy of companionship, and the beauty of seeing the world through multiple perspectives (even when one is a rubber ball that, technically, lacks eyes).
There are several subgenres among picture books, including alphabet books, concept books, counting books, early readers, calendar books, nursery rhymes, and toy books. Board books - picture books published on a hard cardboard - are often intended for small children to use and play with; cardboard is used for the cover as well as the pages, and is more durable than paper. Another category is movable books, such as pop-up books, which employ paper engineering to make parts of the page pop up or stand up when pages are opened. The Wheels on the Bus, by Paul O. Zelinsky, is one example of a bestseller pop-up picture book.
The half-wall next to my eight-year-old daughter’s desk is filled with post-it notes marked with mis-spelled positive affirmations: “you got ths” and “you r luvd,” they say. I could easily sneak one in there that says, “I m a worior godiss.” The book, I Am a Warrior Goddess feels as simple as a collection of pages of encouraging self-talk for my daughters. The illustrations are fun and lively, telling us the story of a sweet little redhead who talks to herself wisely and affirmatively— the way we are teaching our young girls to speak to themselves.
Picture Book Biographies: The picture book format has proved effective for biographies, serving as an introduction to the lives of a variety of accomplished men and women. Some picture book biographies like Who Says Women Can't Be Doctors: The Story of Elizabeth Blackwell by Tanya Lee Stone, with illustrations by Marjorie Priceman, and by Deborah Heiligman, with illustrations by LeUyen Pham, appeal to children in grade one to three.
Audrey Penn is the author of this truly one of a kind story. When little Chester, a young raccoon, is scared to leave his mother and go to school, she gives him something that makes everything alright. She kisses his palm and tells him that the kiss will help make school as warm and nice of a place to be as home is. When Chester begins to feel lonely or scared, he presses his hand to his chest and feels the warmth of his mother’s kiss in his heart. This is one sentimental and heartwarming story that will help even the youngest child deal with changes they have to go through.
Finally, this is the original not-so-scary monster book that generations of kids have enjoyed. Grover spends the story terrified about the monster at the end of the book, begging the reader not to turn the page. But kids know better—Grover himself is the monster! Plus, it’s fun to watch him sweat. As a bonus, this book introduces kids to metafiction.
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